Everyone I Know

Alistair Hulett 1994

 

Alistair Hulett: Alistair Hulett and Jimmy Gregory Everyone I Know

https://www.youtube.com/watch?v=ZEexYqFbOS8

Everyone I know is feeling the pinch of these straightened days: Small change is counted on Tuesdays; by Wednesday, we’re always broke.ÿ Every week it seems they cut one more inch off our living wage:ÿ Paring us down for the new age;ÿ squeezing us until we Choke. Chorus: Everyone I know (x4) Everyone I know is worried if they’ll be the next for the chop;ÿ Every day the line is just a little bit shorter at the bus stop. Everyone I know is warming their dreams on a dying flameÿ Out on an ocean of self-blame whereÿ Big fish get let off the hook.ÿ All the news I read says this is my great opportunityÿ Here in the new clever country Where some touch and others just look.ÿ Everyone I know is paying the price for the lunacy Of setting the corporate dogs freeÿ into the big picture book.ÿ Everyone I know is looking for someone to vote for,ÿ Turning away from the class war Forgetting the world ever shook.

 

 

Everything Possible

Fred Small 1983

 

In 2022, after consulting trans and nonbinary friends and colleagues, Small revised the lyrics of the second verse for greater gender inclusivity. The first line below is the new version, while the remaining three lines are from the original 1983 lyrics.

Nancy Kerr: https://towerseyfestival.bandcamp.com/track/everything-possible

https://towerseyfestival.bandcamp.com/track/everything-possible

We have cleared off the table, the leftovers saved Washed the dishes and put them away I have told you a story and tucked you in tight At the end of your knockabout day As the moon sets its sails to carry you to sleep Over the midnight sea I will sing you a song no one sang to me May it keep you good company Chorus: You can be anybody you want to be You can love whoever you will You can travel any country where your heart leads And know I will love you still You can live by yourself, you can gather friends around You can choose one special one And the only measure of your words and your deeds Will be the love you leave behind when you’re done Some children grow up strong and bold While some are quiet and kind Some race on ahead, some follow behind Some go in their own way and time Some women love women, some men love men Some raise children, some never do You can dream all the day never reaching the end Of everything that’s possible for you Bridge: Don’t be rattled by names, by taunts, by games But seek out spirits true If you give your friends the best part of yourself They will give the same back to you

 

 

Factory Girl

trad 

 

John A. Lomax, Jr: The Factory Girl

https://www.youtube.com/watch?v=EBtzP4FbzTg

I ain’t gonna work in a factory, greasy on my clothes I ain’t gonna work in a factory, splinters in my toes Chorus: Pity me, my darlin’, pity me I say Pity me, my darlin’, carry me away No more I’ll wear that dirty dress, greasy all around No more I’ll wear that dirty hat, goes all in the ground No more I’ll hang my bobbins up, no more I’ll take them down No more I’ll hang my bobbins up, I’m leaving this old town No more I’ll hear that whistle bow, to call me up so soon No more I’ll hear that whistle blow, to call me from my home No more I’ll hear that spinning wheel, rolling o’er my head No more I’ll hear that spinning wheel, call me from my bed

 

 

The Factory Lad

Colin Dryden 1969

 

Colin Dryden moved to Australia in 1965 at the age of 22. He never published an album, and died at 43 in 1986. Margaret & Bob Fagan contributed to the popularity of this song. Most likely autobiographical. Upon arriving in Australia he listed his occupation as “fitter” and apparently worked on building tractors.

You wake up in the morning the sky is black as night Your mother shouting up the stairs and you know she’s winning the fight You tumble down to the breakfast table and grab a bite to eat Then it’s out the door and up the road and through the factory gate Chorus Turning steel how do you feel As in the chuck you spin? If you felt like me you’d roll right out And never roll back in Cold and dark, the morning as you squeeze in through the gate As you clock in, the bell will ring, eight hours is your fate Off comes your coat, up go the sleeves, and “Right, lads” is the cry With one eye on the clock and the other on the lathe, you’ll wish that time could fly But time can’t fly as fast as a lathe, and it’s work you must With the grinding, groaning, spinning metal hotter than the dust And it’s many’s the time I’m with my girl and we’re walking through the park Whilst I’m gazing on that turning steel and a million flying sparks Well Old Tom, he left last week, his final bell did ring With his hair as white as his face beneath and his oily sunken skin Now he’s made a speech and he’s bid farewell to a lifetime working here And as I shook his hand I felt I’d labored forty years When my time comes as come it must and I will leave this place I’ll walk out past the charge-hand’s desk, never turn my face Out of the door and into the sun, I’ll leave it all behind With one regret, for the lads I have left to carry on their grind

 

 

The Fairy Tithe

Jules Peiperl 

 

Chorus: Roses grow and the roses twine And the hills around this land are mine And you see me as a roving sprite But I’ll be a man tomorrow I ran afoul of the fairy queen She flew into a rage like you’ve never seen She cursed me to wander the fields of green But I’ll be a man tomorrow I met a maid in the morning late Coming from a castle with an iron gate And she says a shade is no kind of mate The queen she cared not for my strife She chose me to give as a fairy tithe Only my love can save my life Hold me close in your loving arms As I cast off this fairy charm Woman or wolf I won’t do you no harm All my friends in the field and the foam Looking at the self that you now call home You might feel a change and you won’t be alone We’ll all be our own tomorrow

 

 

The Falling of the Pine

trad 

 

Collected 1924 from Mike Dean by Robert Winslow Gordon, recorded by Brian Miller 2013. Miller writes: “Dean said the song came from the Georgian Bay region of Ontario and dated back to a time (pre-1870) when “shanty boys” squared off the logs in the woods by axe* before binding them into rafts and driving them down river to Quebec City. From Quebec, the timber was often shipped out the St. Lawrence Seaway and over the ocean to Liverpool. Collectors who found other versions of The Falling of the Pine (in Maine, Pennsylvania, Michigan and Ontario) noted that it is likely one of the oldest songs to come out of the lumber camp tradition and that it may date to as early as 1825.”

Brian Miller: https://thelostforty.bandcamp.com/track/the-falling-of-the-pine

https://thelostforty.bandcamp.com/track/the-falling-of-the-pine

Come, all young men a-wanting of courage bold undaunted, Repair unto the shanties before your youth’s decline, For spectators they will ponder and gaze on you with wonder, For your noise exceeds the thunder in the falling of the pine. The shanty is our station and lumbering our occupation, Where each man has his station, some for to score and line, It is nine foot of a block we will bust at every knock, And the wolves and bears we’ll shock at the falling of the pine. When the day it is a-breaking from our slumbers we’re awakened, Breakfast being over, our axes we will grind, Into the woods we do advance where our axes sharp do glance, And like brothers we commence for to fall the stately pine. For it’s to our work we go through the cold and stormy snow, And it’s there we labor gayly till bright Phoebus does not shine; Then to the shanties we’ll go in and songs of love we’ll sing, And we’ll make the valleys ring at the falling of the pine. When the weather it grows colder, like lions we’re more bolder, And while this forms grief for others, it’s but the least of mine, For the frost and snow so keen, it can never keep us in, It can never keep us in from the falling of the pine. When the snow is all diminished and our shanty work all finished, Banished we are all for a little time, And then far apart we’re scattered until the booms are gathered, Until the booms are gathered into handsome rafts of pine. When we get to Quebec, oh, me boys, we’ll not forget, And our whistles we will wet with some brandy and good wine; With fair maidens we will boast till our money is all used, And, my boys, we’ll ne’er refuse to go back and fall the pine.

 

 

The Farmer’s Toast

trad early 19th century

Eric Winter 1976

The words were popular to inscribe in pottery and are commonly found throughout Hampshire. Winter says he found the full text in Colm à Lochlainn’s Irish Street Ballads.

Come all jolly fellows who delight in being mellow Attend unto me I beseech you For a pint when it’s quiet, come boys let us try it For thinking will drive a man crazy Chorus I have lawns, I have bowers, I have fields, I have flowers And the lark is my daily alarmer So jolly boys now, here’s God speed the plough Long life and success to the farmer Come sit at my table, all those who are able And I’ll hear not one word of complaining For the tinkling of glasses all music surpasses And I long to see bottles a-draining For here I am king, I can laugh, drink and sing And let no man approach as a stranger Just show me the ass who refuses a glass And I’ll treat him to hay in a manger Let the wealthy and great roll in splendour and state, I envy them not, I declare it For I eat my own ham, my own chickens and lamb And I shear my own fleece and I wear it Were it not for my seeding you’d have but poor feeding I’m sure you would all starve without me But I am content when I paid my rent And I’m happy when friends are about me.

 

 

Farthest Field

David Dodson 2006

 

“The Farthest Field,” a favorite among singing groups of all kinds, has been included in “Rise Again” (the second edition of “Rise Up Singing”) and other song books. David was inspired to write this song by a gathering of friends, singing, high up in a beautiful field in northern Vermont.

Julie Vallimont, The Oshima Brothers, and Andrew VanNorstrand: Farthest Field crankie – Julie Vallimont

https://www.youtube.com/watch?v=RpPTVz6csWQ

There is a land high on a hill where I am going There is a voice that calls to me The air is sweet, the grasses wave The wind is blowing away up in the farthest field Chorus: Oh walk with me and we will see the mystery revealed When one day we wend our way up to the farthest field The sun will rise, the sun will set Across the mountains and we will live with beauty there The fragrant flowers the days and hours Will not be counted and peaceful songs will fill the air I know one day I’ll leave my home Here in the valley and climb up to that field so fair And when I’m called and counted in That final tally I know that I will see you there Oh my dear friends I truly love To hear your voices lifted up in radiant song Though through the years we all have made our separate choices We’ve ended here where we belong.

 

 

Fathom the Bowl

trad 

 

Recorded by the Watersons in 1966, for which Bert Lloyd wrote it was published in a collection in 1891.

The Watersons: Fathom the Bowl

https://www.youtube.com/watch?v=Upjbz20BIvw

Come all you bold heroes give ear to my song, I’ll sing in the praise of good brandy and rum, Here’s a clear crystal fountain over England shall roll, Give to me the punch ladle, I’ll fathom the bowl. Chorus I’ll fathom the bowl, I’ll fathom the bowl. Give to me the punch ladle, I’ll fathom the bowl. From France we get brandy, from Jamaica comes rum, Sweet oranges and lemons from Portugal come, Strong beer and good cider in England is sold, Give to me the punch ladle, I’ll fathom the bowl. My father he lies in the depths of the sea, Cold rocks for his pillow – what matter to he! Here’s a clear crystal fountain over England shall roll, Give to me the punch ladle, I’ll fathom the bowl.

 

 

The Fellow that Played the Trombone

Walter Kino 1896

 

Rewritten by Alex Ellis

Roberts & Barrand: https://johnroberts1.bandcamp.com/track/the-fellow-that-played-the-trombone

https://johnroberts1.bandcamp.com/track/the-fellow-that-played-the-trombone

Now, the other night my friends and I went down to a Music Hall. And ever since that blooming night it has been my downfall. We sat beside the bandsman, and he filled me with delight, The fellow that played the trombone, he stole my heart that night. Chorus With his rum-she-ra-ra, rum-she-ra-ra, rum-she-ra-ra-day, The fellow that played the trombone, he stole my heart away, He pulled that long thing in and out, he made me feel so gay, He really tickled my fancy with his rum-she-ra-ra-day. Now I really liked his music, I go there every week, They said it would be my downfall if I don’t stop my cheek, I’ll take no notice what they say, I’ll go from time to time, And bring that bandsman home and help him make his horn to shine. Now the other night I woke and found he’d gone with all his clothes, He’d gone with all my money, to a land where no-one knows, But if ever I should find him, I’d spoil his afternoon, I’d smash his bloody instrument if I catched him playing a tune.